Almost 80 years ago, this Jewish singer hoped to be the next Judy Garland. At 95, she is recognized.

(JTA) — Madeline Millman was just 17 when she took center stage at the Adams Theater in downtown Newark, New Jersey, stepping into the limelight where the Andrews Sisters, Duke Ellington, Ella Fitzgerald and several of her other heroes had performed for sales. outside houses.

“I closed my eyes, focused and thought, ‘5,000 people or one person, whatever – I’m singing“, she recalls. “And I felt really good about it.”

And why not? Madeline had skipped school with friends to enter a talent show – and she won. The emcee, Borscht Belt comedian Joey Adams, stopped her on the way out to tell her she had a great voice and a real future. “After that, a few people had their eye on me and wanted to help me with my career, and wanted me to make records,” she said. In 1946, she recorded several popular songs on 78 rpm in a local studio: “Nobody’s Baby”, “Can’t Help Lovin’ That Man of Mine”, and a few others.

If the name “Madeline Forman”, as she is known today, means nothing to you, it’s because life got in her way. The records went into a box and Forman, now 95, “started doing whatever I had to do”. That meant working as a secretary to help support her Russian immigrant parents — her father, Simon Millman, sold bananas from a handcart — and her four siblings. The family lived in one of Newark’s earliest tenements – remarkable, she recalls, because it meant they had heating. But they had very little money and sometimes not enough food.

Nearly 80 years later, his voice is once again heard, this time by an audience that escaped him in his youth. Amid the COVID-19 pandemic, she and her husband, Joseph, discovered a dusty box in the home they had shared for more than 60 years in West Long Branch, New Jersey. It contained acetate records of jazz and pop standards, as well as some Yiddish melodies, which Forman had recorded more than seven decades ago, when she had the hope – and perhaps the talent – ​​of become the next Judy Garland.

“I looked at the label and thought back to the day in the recording studio,” Forman, now 95, told the Jewish Telegraphic Agency. “It was a wonderful, wonderful feeling! If we hadn’t moved, I might never have seen them again.

Now remastered and digitized, the songs have been praised by industry experts and downloaded thousands of times worldwide. And the story of an American dream deferred has begun a bright new chapter, providing a window into the American Jewish experience in the process.

Forman was born a singer. “If someone listened, I sang to them. It was something that filled the time. We didn’t have many toys, but we had a great time. I liked it. I sang everywhere I could. If there was a microphone, I would get up and sing” – for family, for friends, for strangers at parties.

In 1953, during her wedding reception, she went on stage to sing Cole Porter’s “Begin the Beguine” then the Yiddish standards “Oy! Mom” and “Sheyn Vi Di Devone.

“If a group of people were Jewish, I would sing those songs,” Forman said. “My mum spoke Yiddish and she made sure that – hopefully – I pronounce everything correctly.”

An audiographer hired to record the good wishes of the guests recorded everything. These disks were also part of the rediscovered pile. Even with the chatter and clinking of the dishes, Forman’s joy and talent are evident.

On her honeymoon, at the famous resort town of Nevele in the Catskills, showbiz nearly snagged her once again. At the hotel’s open mic night, she wowed the crowd. “The conductor offered me the [full-time] work,” she recalls proudly. “I turned to the people – there were a few thousand there – and I said, ‘You are all witnesses!’ But I said to him: ‘you are too late, I have just got married.’ »

Forman has “no regrets” about how far his life has come since, a more low-key version of the American dream. She and Joe moved to the suburbs to raise Glenn and Adrienne. Instead of doing show business, she found herself running a shoe business and eventually opened her own health food restaurant, Madeline’s Slim Cuisine. (She blushed to be called an entrepreneur – “you said so,” she hesitated.)

On Saturday nights at the restaurant, she hired a guitarist and a bassist to back her up, and she opened each set with a rendition of Henry Nemo’s 1941 standard “Don’t Take Your Love From Me” – every week for 10 years.

“I got a kick out of it,” she said. “It was a small extension of my career.”

But she never talked about what might have been. Until her mother excitedly called her in August 2020, Glenn, who became a doctor, had no idea she had ever recorded a song, let alone yearned for more. Once he made the short drive to his new apartment, they borrowed a friend’s old turntable and played the tricky records.

“I knew she liked to sing, but I had never heard her like that,” Glenn said. “I think she just hid it in her memory and moved on with her life. She told me that she used to not get what she dreamed of because times were tough. So to her, [not pursuing a singing career] was just another example. But then when she found the records, she started telling the story.

Glenn called a cousin, Howard Forman, a Montreal musician and producer who has worked with artists such as Celine Dion and was nominated for two Canadian Academy Awards.

“The first thing I said was, ‘Never play them again,'” Howard Forman said, noting that the needle could deteriorate or possibly destroy the acetate. Instead, he found an engineer in San Diego who specialized in digitizing outdated media and created a CD – Madeline’s debut album, 75 years in the making. (The songs are now available on SoundCloud and

“The thing about Madeline’s stuff is that it was really good,” Howard said. “It wasn’t a joke. I could hear the licks she was stealing from popular singers of the day, and she really nailed them.

In particular, he admired her rendition of “Don’t Take Your Love From Me” – “it was pretty perfect,” he said. For fun, he played a ’40s-style guitar track and edited it into his original in his home studio. He only intended to send it back to Madeline and Glenn as a special gift, “a little intergenerational collaboration,” but he also posted it on social media.

The “avalanche” of feedback — from other singers, songwriters, producers and engineers, including multiple Grammy and Oscar winners — “was astounding,” Howard said. Most commented on not only Madeline’s precise technique, but also her natural effect.

Madeline was thrilled.

“I smiled all day,” she said. “There are a lot of nice people in this world.” She is also delighted that the Yiddish songs attract the attention of young Jews who did not know them.

“It’s your past,” she said. “That’s all.”

In March 2021, Howard hosted a session for her at nearby Shorefire Recording Studios, whose client list includes Bruce Springsteen and Blondie’s Debbie Harry. Due to COVID protocols, Madeline sang “Don’t Take Your Love From Me” alone, with musicians playing remotely, becoming perhaps the first artist to re-record the same song 75 years later — a feat that even Tony Bennett can’t match.

Her feel-good story spread. The New York Times profiled her; within two days, his version of “Don’t Take Your Love From Me” was downloaded nearly 200,000 times. “The Today Show” came next.

With director Richard Mortimer, Howard Forman produced a seven-minute film that includes Madeline’s recent re-recording. Since then, he has entered it in about fifty film festivals, from Sundance to Moscow, where he is starting to get noticed.

Meanwhile, Madeline still sings every day, starting by waking her husband up with Irving Berlin’s “Oh How I Hate to Get Up in the Morning.” And she’s learning to play the piano on a new keyboard Glenn bought her. However, she rules out any idea of ​​a professional return.

“I’m lucky to have done what I did and to do what I do,” she said. “I’m still here and I’m still singing. And I smile all the time.

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